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Note: Here you will find texts in their original language that have been
translated into German for the print edition of Positionen magazine.
Neo Contemporary Music
February 9, 2026
Genoël von Lilienstern
Letting Sound Grow into Walls: Maia Urstad in conversation with Marat Ingeldeev
February 25, 2026
Marat Ingeldeev
Interview: Equal Division of the Octave – In conversation with Stephen Weigel
November 2, 2025
Genoël von Lilienstern
Essay: A hyper-productive, dizzying panoply of music
April 10, 2024
Edward Henderson
Strategieën rond het persoonlijke domein
March 7, 2024
Sven Schlijper-Karssenberg
Charm Offensive: Jennifer’s Jokes: Contextualising ‘The New Discipline’
February 29, 2024
Ed Cooper
Creating a state of ambivalence – Neil Luck in conversation with Marat Ingeldeev
February 16, 2024
Marat Ingeldeev
A crisis of criticism – Complaints of an editor
October 25, 2023
Colin Lang
Kulturtidskriftens Schlaraffenland? Tidskriftsstöd i Norden och Tyskland
September 13, 2023
Mats O. Svensson
Replik zu Max Nyffelers Thesen zum ›Politisierungsdruck‹ der Neuen Musik
August 31, 2023
Anna Schürmer
Скасування російської культури під час війни: чому це важливо для української музичної сцени
August 20, 2023
Юлія Бентя
The Past isn’t what it used to be – Tendencies in Sound Art and Klangkunst
June 28, 2023
Ed McKeon
Either we win or we lose
April 13, 2023
Andreas Engström
¿Es Deep Listening® relacional?
November 13, 2022
Ximena Alarcón-Díaz
Чорнобильдорф: декілька уроків з конструювання майбутнього
November 9, 2022
Юлія Бентя & Андрій Коляда I Iuliia Bentia & Andrii Koliada
An American Recipe for success, Healing or Alternative Music? – A Californian Road Trip in the Search for New Age
September 28, 2022
Fabian Peltsch
Street Fighting Human – Sounds of resistance in the streets of Berlin
August 3, 2022
Hanna Grześkiewicz
Music and homelessness
July 26, 2022
Edward Henderson
Scored Blackness
April 21, 2022
Anthony R. Green
Position: Tino Sehgal at Blenheim Palace
March 3, 2022
Edward Henderson
The Shape of Cumbia to Come – Neo Macondoism or Colombian Avant Garde?
February 28, 2022
Nico Daleman
“Made in the USA” – Gamelan Son of Lion and American Experimental Music
January 22, 2022
Jay Arms
Position: Laurie Anderson – Spending the War Without You
July 19, 2021
Jelena Novak
Position: Alex Paxton – Music for Bosch People
June 30, 2021
Edward Henderson
Position: Robin Hoffmann – Kunst pfeifen / Dinge im Radio
June 6, 2021
Edward Henderson
Das Sound-Gelände Berlin
May 15, 2021
Yana Milev & Philipp Beckert
Essay: Hell for leather – Metal as Art
April 13, 2021
Colin Lang
Offener Brief: Unterstützung von Kulturfachzeitungen und -zeitschriften durch das Programm „Neustart Kultur“ gefordert
February 19, 2021
Die Redaktion
Essay on Pamela Z: ...material, just being something to hang the work on
December 20, 2020
Tim Rutherford-Johnson
Position: Huddersfield Contemporary Music Festival
December 15, 2020
Edward Henderson
Position: Simultan Festival
December 12, 2020
Andra Amber Nikolayi
The Lockdown Jams / Bastard Assignments
July 12, 2020
Raphael Jacobs
Position: Gender conferences in Budapest and Zurich
March 20, 2020
Melissa Panlasigui
Position: London Contemporary Music Festival
February 27, 2020
Tim Rutherford-Johnson
Position: Sun and Sea (Marina) / Biennale Venedig 2019
January 17, 2020
Anneliese Ostertag
Position: Lost at Sea – Ensemble Pamplemousse
January 10, 2020
Edward Henderson
Position: Spat from My Mouth – Piano Concerto by Billy J. Bultheel
December 3, 2019
Penny Rafferty
Position: Ombre nel mattino di Piero – Lassus Quartett
October 9, 2019
Hanna Grzeskiewicz
Position: Berlin is not Bayreuth
September 27, 2019
Dorte Lena Eilers
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