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Note: Here you will find texts in their original language that have been
translated into German for the print edition of Positionen magazine.
Essay: A hyper-productive, dizzying panoply of music
April 10, 2024
Edward Henderson
Strategieën rond het persoonlijke domein
March 7, 2024
Sven Schlijper-Karssenberg
Charm Offensive: Jennifer’s Jokes: Contextualising ‘The New Discipline’
February 29, 2024
Ed Cooper
Creating a state of ambivalence – Neil Luck in conversation with Marat Ingeldeev
February 16, 2024
Marat Ingeldeev
A crisis of criticism – Complaints of an editor
October 25, 2023
Colin Lang
Kulturtidskriftens Schlaraffenland? Tidskriftsstöd i Norden och Tyskland
September 13, 2023
Mats O. Svensson
Replik zu Max Nyffelers Thesen zum ›Politisierungsdruck‹ der Neuen Musik
August 31, 2023
Anna Schürmer
Скасування російської культури під час війни: чому це важливо для української музичної сцени
August 20, 2023
Юлія Бентя
The Past isn’t what it used to be – Tendencies in Sound Art and Klangkunst
June 28, 2023
Ed McKeon
Either we win or we lose
April 13, 2023
Andreas Engström
¿Es Deep Listening® relacional?
November 13, 2022
Ximena Alarcón-Díaz
Чорнобильдорф: декілька уроків з конструювання майбутнього
November 9, 2022
Юлія Бентя & Андрій Коляда I Iuliia Bentia & Andrii Koliada
An American Recipe for success, Healing or Alternative Music? – A Californian Road Trip in the Search for New Age
September 28, 2022
Fabian Peltsch
Street Fighting Human – Sounds of resistance in the streets of Berlin
August 3, 2022
Hanna Grześkiewicz
Music and homelessness
July 26, 2022
Edward Henderson
Scored Blackness
April 21, 2022
Anthony R. Green
Position: Tino Sehgal at Blenheim Palace
March 3, 2022
Edward Henderson
The Shape of Cumbia to Come – Neo Macondoism or Colombian Avant Garde?
February 28, 2022
Nico Daleman
“Made in the USA” – Gamelan Son of Lion and American Experimental Music
January 22, 2022
Jay Arms
Position: Laurie Anderson – Spending the War Without You
July 19, 2021
Jelena Novak
Position: Alex Paxton – Music for Bosch People
June 30, 2021
Edward Henderson
Position: Robin Hoffmann – Kunst pfeifen / Dinge im Radio
June 6, 2021
Edward Henderson
Das Sound-Gelände Berlin
May 15, 2021
Yana Milev & Philipp Beckert
Essay: Hell for leather – Metal as Art
April 13, 2021
Colin Lang
Offener Brief: Unterstützung von Kulturfachzeitungen und -zeitschriften durch das Programm „Neustart Kultur“ gefordert
February 19, 2021
Die Redaktion
Essay on Pamela Z: ...material, just being something to hang the work on
December 20, 2020
Tim Rutherford-Johnson
Position: Huddersfield Contemporary Music Festival
December 15, 2020
Edward Henderson
Position: Simultan Festival
December 12, 2020
Andra Amber Nikolayi
The Lockdown Jams / Bastard Assignments
July 12, 2020
Raphael Jacobs
Position: Gender conferences in Budapest and Zurich
March 20, 2020
Melissa Panlasigui
Position: London Contemporary Music Festival
February 27, 2020
Tim Rutherford-Johnson
Position: Sun and Sea (Marina) / Biennale Venedig 2019
January 17, 2020
Anneliese Ostertag
Position: Lost at Sea – Ensemble Pamplemousse
January 10, 2020
Edward Henderson
Position: Spat from My Mouth – Piano Concerto by Billy J. Bultheel
December 3, 2019
Penny Rafferty
Position: Ombre nel mattino di Piero – Lassus Quartett
October 9, 2019
Hanna Grzeskiewicz
Position: Berlin is not Bayreuth
September 27, 2019
Dorte Lena Eilers
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